Arts for the 21st Century

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for Ian Chinaka Strachan

 

shattered like glass—

shattered like a windshield

when a car crashes…

 

a back that has been lashed,

a woman who has been whipped for 17 days—

at times, several times a day…

come old age,

when/by then,

we are all patched up…

 

patched so many times,

in so many places,

in so many ways…

 

like an old tube in an old tire,

punctured so many times—

 

when the poem is edited and polished and fine-tuned,

it will be running and you won’t even hear it

 

we edit until all the hiccups and other noises

I measure out my life in weeks,

week-after-week,

 

weaker and weaker

as the weeks go by,

as they accumulate

 

like massive bricks of time

until time and I crumble, tumble down

 

An ailing man weeps in the October sky.

I am somewhere else, again.

 

The world is not an open field.

Autumn quickly broke

down to mud,
a low European country

Césaire warned

Antilleans of.

 

for Leah Jervis

What is Dutch

for twice removed

from home?

A Poem from the Archives:
Vol. 19, No. 74, Page 77 (December 1992)

“ ... this further shore of Africa”

Youth is a winged thing

meant for flight.

 

The map of its territories

the worlds it will conquer

lurk in the depths of its eyes.

 

The pull of the air

the ocean

sings in its being

for Simone

Momma’s dancing today

between two hospital rooms.

In one, her daughter

the other, her son—

dual chambers of her heart.

 

She’s shuckin and jivin

to make her children merry.

Like the ocean trying to

reclaim island, the fog

with the dense un-vision

of days at sea, makes each

 

A source of attraction, found

in the rocky archives of a seabed

off the Somers Isles amidst

 

volcanoes doused by the rise

I want to paint like Richter, pull all the tangled

gestures of paint marks into a mounded surface

like tidying a beach. Tug sea weedy strokes into

 

a united mass of colour and nuance and stature.

When a mood shifts quickly,

happens swiftly like when

your car signals you need

 

a change of oil. The feeling

like warm swampy lava

lights in a bar in North Devon

 

where an embryo swirls

Dylan Thomas’ teeth, crooked

as time-deepened gravestones,

lean over into each other,

sometimes touch at the top.

 

One thinks of his tilted

words, the sun-drowned

way they travel air. Gush

guttural tones of inflection,

Dear Daddy,

I am a mother, now,
to a little girl I wish you could meet.

 

She is day to my night:

We’ve had two years of dread.

What started as a distant threat

landed on us casual nonchalants

with blunt force.

 

Daddy, we shake our heads,

bewildered by death tallies,

battling shadows unfurling around

The world turned grey,

the pigeons withdrew

their morning quarrels.

 

The wild parrots

When was it that I

lost her

A small child finding

her mother

sobbing

Her words

the leafless trees

unburdened by sheer ferocity,

churning breath of the storm

gone now,

with only a solemn drip