Arts for the 21st Century

The Hague, 2025

An ailing man weeps in the October sky.

I am somewhere else, again.

 

The world is not an open field.

I watch what was extracted

from estates and enterprises of the Indies.

 

It was foolish to claim a route in a kingdom

when monarchy is a dead end

for me, for walking in a manner without title and surnames.

 

After the Dutch dance, I returned to the hotel.

The receptionist at the front desk touched my right hand.

Shifts turned to air, she was eager

to guide me through the city’s cobbled streets

under the guise of hospitality and logistics.

I declined.

 

Too much at peace

with the solid ground of gold on my left hand

and the distance I write in my diary, drained,

but no less fixed on my world

of despair, hurricanes and light tomorrow.