Arts for the 21st Century

The Push Participant

I do not know

but dawn

favours a grey house across the street from me,

painting it bright serene

aka

lighter salmon-coral

that fades toward pink-conch.

 

Why is my abode of lesser resort

and why, out walking—

a thing of rasp

and enough scarce breath

as might

impugn a horse—

I never can come into

its full,

incontrovertible presence?

 

Nor can I slow 

to remark upon sash windows

where I am almost sure

to peep the allure

of some greater pariah/

non-pariah of existence

gazing inwardly/rudely out at me

(also what allusion

to the blind spree of curtains?)

till I have long since passed

enchanted realty of the house—

 

Who’s to determine

I have not already overstepped

all my proxy/poxy diligence,

hard-pressed

by my own rather-daring

up close—

unbearably close?

 

Up ahead, the road boasts tons of tramped

dreams and bold, heading-outward silence—

the tamped outpost

of so much hope and dread and grief.

 

Morning sun sweats my eye

to the tune

of a bright and burning, blurring confluence of rivers.

 

Tomorrow owns/hones

house and hedge and a single poking upward

wayside bloom,

revising heck of the hill,

earned breath and—

the push….