Arts for the 21st Century

The Wounds of Parents

“…he should approach the faults of the state as to the wounds of a father…”

                                                                                 Edmund Burke

 

 

After studies overseas in a green and pleasant Canadian city,

At a university whose motto is “It is up to you”,

Against my mother’s advice,

But to honour my agreement with my homeland,

I set off on a journey home.

 

The plane was nearly empty:

After the civil war

No five flights daily in this direction.

 

No one welcomed me back,

For all saw it as an imprudent decision;

I was on my way to understanding Walcott’s dictum:

There can be homecoming without home.

 

There had been an election,

But there were still gunshots in the night.

Frequent power cuts made me long for

Kerosene lamps and moonlit nights.

Unscheduled water lock-offs

Shamed the little dripping spring in my district

That no one had ever seen go dry.

Waiting for hours for the disordered arrival of minibuses

Made me remember the control I had felt

Riding my bicycle to school in the hills.

 

I saw my aunt’s shop,

The main enterprise of her life,

Now in smoke-stained ruins,

After the political arsonists

Had also destroyed its name that I had painted on it

At my godmother’s request,

In my eager schoolboy’s artistic triumph.

 

 

I heard an echo of the island’s pain

In the screams of a pig being slaughtered on the ground;

Security guards with giant dogs

—I had not noticed them much before—

Were now everywhere, including in front of ice cream stores

And supermarkets where angry shoppers prowled.

And I heard a man joke loudly

That the island was now a den of thieves,

Including him.

There was a new suspicion in people’s eyes

As they peered at me trying to detect my politics;

And on discovering that I was a returnee

Pressed me for American dollars.

I overheard students exchanging chilling tales

Of their time of terror and dread.

 

When my used car broke down,

Men sitting in front of a shop refused to help;

I had grown up with the tradition

My father’s cooperative morning works

And corn-shellings at our home,

First urged, the historians say,

By Baptist preachers at the new beginning,

The end of slavery.

So I felt I did not know these new people at all.

 

I had left hearing reggae gold on the radio;

Returned to the hot bronze of violent

And hedonistic dancehall.

 

The Big Political Stirring Up

Had brought the dregs of history

Floating to the brim and overflowing;

The bad duppies had been let out of the island’s Pandora’s Box

And could not be put back in.

 

I soon came to find

That there was no place here

For a scholar of my kind.

 

And yet against all the logic I was taught

I stayed in the country ranked

The second most fled in the world.

 

The answers are more varied

Than the light of the sun shining fiercely on the grassy patch

That survives the decayed house in the hills in which I was born;

And could be etched on a bit of Taino pottery,

Carved on a slave’s calabash,

Or written in water on the wattle-and-daub walls

Of a peasant’s hut.

 

But most of all I stayed hoping for some balm

For the wounds of my parents

And country.