Arts for the 21st Century

The Legend of Mangamouche and La Cour Harpe

A Poem from the Archives:
Vol. 8, No. 31, Pages 163–164 (July–December 1960)

Our epics begin to form.

I know the great stickfight is one: stone pictures have been

    carved of it;

It was near Rio Claro, between the champions of the batoniers,

The giant Mangamouche, hard bitter La Cour Harpe, the fighters.

 

The negro jardens with their jointed tambour bamboos, goat-

     skinned, many coloured,

Beat the news of a major bataille bois days and days ahead,

    honoured to be proclaimers.

Men came from seventy villages bare-foot or in donkey-carts

And their women carrying melons and coconuts to sell in the

    hot afternoon;

And even three sunburnt Englishmen in white drill and brown

    cork hats came!

 

When the last goat-skin drum faded to silence

All was very quiet around the fighting pit and the sun very

    hot there on the charred ground.

Small boys in the surrounding plum and calabash trees watched

    with flaming eyes;

These men in khaki shorts and belts of dogs’ teeth salted their

    blood.

 

The wary beginning, the skillful work of the stick, sweet to the

    eyes of the old men.

Then the heavier direct blows with their weight of knotty black

    muscles.

They fought all morning with hard watchful eyes

And all afternoon the hard poui sang wapp, wapp, a tinge of

    iron in the wood.

 

They rested for one hour when night was coming like a great

    black pig

(All the colours of the day came back to burn and praise them

    in the sky)

Then the women bathed their flesh with cool water and gave

    them to drink and corn cakes to eat

Their followers set up flambeaux on iron drums in the circle

And they fought again by orange flames in the rich furious

    pit,

The silence of a thousand silent men around the hard singing

    wapp, wapp, of the sticks.

Three stars flashed with silver tails above in the black night,

    a good sign of God’s interest.

 

Mangamouche had five broken fingers and all his fingernails

   were torn off,

La Cour Harpe had deep injuries in his belly and his face

    burnt with the sweat in all the fine cuts,

But both had their eyes still to judge and hit and parry well

So they fought, calm-eyed. Men thought they would fight

    forever—

And indeed, as men will tell you, they fought for longer than

     forever.

Then Mangamouche with the giant’s strength in the hot

    second afternoon

Swung his red poui for a thousandth time and La Cour Harpe

    had only bitter weakness;

The blow swung from great shining arms burst six of all his

    white ribs.

A shout more of genera1 glory then of single pride for either

    man

Sprung around the fighters; two small boys fell off a calabash

    tree in excitement!

Pouches of jumby beads and pennies were cast in the scarred pit.

 

They sang of it after

With the sweet-harsh songs, songs of the stickmen for Man-

    gamouche and La Cour Harpe:

Oh the strong kalindas shouted by the red-sleeved hard men,

“Je t’aime, Mangamouche, je t’aime triste Harpe, je vous aime,

    grands noirs hommes.”

From the moon of a hummingbird’s wing to the moon of a

    rich plum

The legend springs in the song, finds roots as tough as the

    nut grass.