Arts for the 21st Century

Ingathering

This shrouding quiet. Despite the funereal bell,

the distant indiscretion of a backyard cockerel,

the measured shuffle of feet, the rustle

of attire appropriately dark.

And the quaint village church gathering

us in supplication, our number small

and intimate, joined in mourning

the matriarch still binding the clan,

bridging a withering divide (we hope),

her withered body in a plain coffin.

Black and Brown skins crawl,

hearts hark back to when

privilege graced the front pews, dutiful

bondservants in the back, dispositions penitent,

remorseful of the ignominy of their estate.

 

But we gather now, ostensibly, to celebrate

her passing and an era that might

have bridged the divide between

the tributary bloods that streamed her veins.

And ours. So together here, in the sobriety

of the moment, quiet tears by some

soft reflections by a few, and by others

a bored disquiet—symptoms

of the disconnect from an era

of distant tales, the l’histoire of another time.

We file past her remains for the final time.

 

There’s a quickening of the pulse,

a thudding not explained by the benediction

of the bell, or the homily that seeks

to draw the clustered gathering closer

within the little church,

the cloistered reticence of its aging stones.

It is a pondering of the tortured path,

the travelled distance to the village

to this shoulder of hill. Sentiments uncertain still.

 

And so the poignancy of final rites.

Uneasy embraces, awkward partings

of estranged kin as evening thickens and

the relief, thank God, when they turn and leave.