Arts for the 21st Century

Keith Jardim

Keith Jardim

Keith Jardim is from Port of Spain, Trinidad. His stories and essays have appeared in many publications in the USA, the UK, Canada, Southeast Asia, and the Caribbean. Jardim’s first book, Near Open Water: Stories, was a semifinalist for the 2012 OCM Bocas Prize for Caribbean Literature; later that year, it appeared on World Literature Today’s Nota Bene List. He has fiction forthcoming in Diaspora/Diasporas: Cross-cultural Ibero-Caribbean Texts and Contexts and War, Literature & the Arts: An International Journal of the Humanities. He is an assistant professor of English literature and writing at American University of Iraq, Baghdad.

Dreaming of Wide Sargasso Sea: Kuwait, April 2014

Every time I read Wide Sargasso Sea, I learn more about sadness, horror, history, writing, people, civilization, man and woman relations, race, joy, freedom, the author herself, power, corruption, hate, love, hate again, terrorism, paranoia, mystery, lies, revenge, hate, again and again, cruelty, torture, jealousy, insanity, beauty of humanity, beauty of sea, beauty of blue, beauty of woman,

The Atlantic Cemetery

Winter, and it’s three a.m. in Dorchester, Massachusetts. Late January. Icicles hang from the apartment’s eaves. He shivers, his teeth clicking faintly, reminding him of when he was a child on a beach and came out of the water, shivering in the rain.