Arts for the 21st Century

THE MAD WOMAN OF PAPINE

A Poem from the Archives:

Vol. 12, No. 46, Pages 103–-4 (January–June 1968)

 

Two Cartoons with Captions

 

(1)

 

Four years ago

In this knot of a village outside the university

She was in residence.

Where a triangle of grass gathered the mountain road,

Looped it once and tossed it to Kingston—

Where grampus buses, cycling students,

Duppies of dust and ululations in light

Vortexed around her—

Ritualist, she tried to reduce the world,

Sketching her violent diagrams

Against a wall of mountains that her stare made totter.

Her rhythmic ideas detonated into gestures.

She would jab her knee into the groin of the air,

Fling her sharp instep at the fluttering sky,

Revise perspectives with the hooks of her fingers,

And butt blood from the teeth of God.

 

She cooked and ate anything. But being so often busy

She hardly ever cooked or ate.

 

What of her history?

These are the latitudes of the ex-colonised,

Of degradation still unmodified—

Imported managers, styles in art,

Second-hand subsistence of the spirit,

The habit of waste,

Mayhem committed on the personality,

And everywhere the wrecked or scuttled mind.

 

Scholars more brilliant than I could hope to be

Advised that if I valued poetry,

I should eschew all sociology.

Who could make anything of a pauper lunatic

Modelling one mildewed dress from year to year?

Scarecrow, just sane enough occasionally

To pick up filth and fry it on a brick,

And then renew

The comic mime of her despair.

 

 

Clearly something was very wrong with her

As subject. Pedestrian. Too limited

For lyric literature.

I went away for four years. Then returned.

 

 

(2)

 

One loaf now costs what two loaves used to.

The madwoman has crossed the road

And gone behind the shops,

Nearer the university,

The light of scholars rising in the west.

She wears the same perennial dress,

Now black as any graduate's gown,

But stands in placid anguish now,

Perfects her introverted trance—

Hanging arms, still feet,

Chin on breast, forehead parallel

To the eroded, indifferent earth,

Merely an invisible old woman,

Extremist votary at an interior altar,

Repeatedly rinsing along her tongue

A kind of invocation, whispered, verbless:

 

“O

Rass Rass Rass

In the highest.”